Story Archives

To Trent

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

Trent

Bent to that
demon wind
blowing from within
and without.

Without a home
curled tight to the needle,
cops slide you in to the
bag like you weren’t.

Man,
you were a great voice whose
words we so badly needed
to hear:
Here;
haven’t got enough
words
to cover this hole in my gut.
Feel it rotting too,
one step behind you
buddy man.
I don’t want us to go there
all of us
together alone
narcotizing
the pain-joy
of fear-success.

Was it the shadow of Doug’s
rescue?
Celebrity charge to the front page
and outside
the paper
lying on the cement
you’re dead.

Trent man,
why you went out that way
curled round the needle
on the street--no back
flat on it and hurting
medicated in to no-land;
other land;
over.

Blue land, blurry blue of better wombs
I can’t dare to cross it
I’m burnin blurry here.

I remember the way you transcribed that interview getting it down word by word word for word but

I don’t know the sound of the tape that was running inside you at the brink of extinct:

link to who we really are.

Margot says you wouldn’t have died like that in Cuba no homeless heroin-heros bunked down on concrete.


I remember the way you packed that pack every night: loading a tome from the library--was it Whitman?--after a day of pecking words on our whizbangnew G4 speedsters while you sleep out.

Fucking city without.
Demon wind without
10,000 out
every night out
staying warm with blankets,

booze, needles, and shared stories.

Trent
you told us story: Your grandad in hiz crazy
cave with the carvings how can you be gone?
You can’t be gone.
You are still here inside me
making me look at my demons
that could kill me slowly
or quickly.

+++++++++++++

Trent Hayward aka Harpo Corleone.
Died on the Street: June 3?2?, 2000

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Ode to Trent

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

Graphic by Scott Clark Art by Barry McGee

I haven't known you for very long, maybe a month. And I ve only met you twice. The first time was at newsroom. I remember being really proud of you for the work you were doing as a freelance writer. I saw you as a peer I guess because of your age and your homelessness. I guess I was feeling admiration really for you coming up out of poverty or struggling to succeed. I saw you as making headway and that made me feel hopeful. The weird thing is that after I met you the second time over at the Coalition On Homelessness, you had just gotten the job at the Guardian. You laughed and said " yeah, I'm their man on the street.... Literally" we both laughed. I 've been thinking about you alot since them, and especially during this last week. That s the really bizarre thing,. I've been watching and waitng, expecting to run into you.. So I ve been doing double takes at guys fitting your description, my age, weather beaten, back pack. Now Tiny tells me your dead. Well that just pisses me off!

It doesn't make much sense though since I hardly knew you. But none the less there it is. I'm really mad that you're not going to be around anymore. Ive been looking forward to getting to know you. The only resolve I have is that maybe you can hear me and know I still wnat to know you. I hope you'll come by and visit us over at POOR from time to time - give us some inspiration. I know that you were respected for your wrtiting and I can surely use all the help I can get. Please consider this a full fledge invitation. I didn't get to know you while you were down here on the earth plane. I hope that your spirit will feel free to infuse my thoughts and writings now that your over on the other side.

As I am remembering you I am hopeing that your spirt is traveling safely, now and always

Love, Anna Morrow
Poor News Network

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To Trent...From Tiny

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

 

#1

It was a small tree in the corner of a piece of partial nature only allowed to be there because it was the landscaped frame for a PGE processing plant ,,proving that poor people like us are not important unless we are sponsored by a corporation....

#2.......

You came to me that night in a yellow plastic bag surrounded by yellow police tape ......

the kind of police tape you would have used to throw at a cop who harassed homeless people -

the kind of cop who would hand out quality of life infractions ,

the kind of quality of life infractions that would get you a warrant ,

the kind of warrant that would land you in court ..the kind of court that you would fight ...

..the kind of fight that would land you in jail ............the kind of jail that would manufacture the yellow

tape that you would BREAK OUT OF ..

.for,,,EVER and ever and ever ..................

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To Trent, From Joe

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

Last night on Friday, a man was found dead on San Francisco’s hard streets. I saw him once in a staff meeting; the name he went by was Trent. He was part of Media Alliance and participated in Community Newsroom at POOR. He had addiction problems; I don’t know the drugs used: it’s a non-issue. But Homelessness is ultimately what killed him.

To be homeless, focusing your mind on more than immediate food, shelter, and clothing is difficult enough to many, for some nearly impossible.

Trent did it, turning a so called negative outcome into an asset, an expert on the vagaries of threadbare survival.

Someone or thing cut Trent’s thread... Who, why, when are questions we may never know, but someone does, SOMEONE DOES!

We can all rise, learn, and move on: Trent proved that. I hope he has found a resting place; no longer worried about anything except returning to learn a few more lessons.

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To Trent, From Terry

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

I mourn his loss tremendously. Not only because he was a good, decent, and committed activist, but also because he was the single most exceptional and talented writer I've ever seen come out of the homeless movement. His writing had enormous potential to create social change. He was able to write every kind of story on every subject and make it compelling, vivid, and inspiring.

He wrote about Doug Ferrari. Doug was a great comedian who ended up homeless in the Tenderloin. Trent wrote his life story so that you could feel the ups and downs of Doug's life. You could see the hell he went through with substance abuse and mental disability. You could see the hellhole slum hotels that Doug was forced to live in. Because Trent wrote that story, he single-handedly lifted Doug Ferrari out of the oblivion of poverty and got him onto the front page of the San Francisco Chronicle. Trent was responsible for enlisting Doug Ferrari's friends to give him a helping hand.

Trent also wrote absolutely brilliant investigative journalism. He wrote about the police persecution of homeless people in Sacramento. He wrote about Hospitality House and the financial misconduct of its past officers. He was just truly a great writer with enormous ability to make a change for the better.

That is why his loss is felt so keenly by all of us who care about economic justice. His loss is more than a loss of a friend. It is an incredibly hard loss to the movement as a whole. And it’s very sad and tragic that he was never given the credit in this life for the greatness of his talent. And now the world may forget his great writing ability, unless we, his friends, are a voice for him now to remind people of how special and fine a person and a writer Trent was.

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To Terry, From Jack

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

Your inspiration, encouragement and ethics will be with me forever. I will miss you. AND I promise to spell better in the future; perhaps.

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BAD NEWS Harpo Corleone throws a seven

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

I finally wander into the COH offices around half past noon Saturday, June 3rd. People who call me a workaholic are closer to the truth than I'll ever let on: Money jingles in my pocket, and teeming along sidewalks linking all the many liquor stores of the Tenderloin are the typical legions of dealers and hustlers and runners and lookouts and all the whatever elses I don't care to contemplate and am trying to avoid - all of them choking back the despair of poverty and illness for a few moments at a time… sealing their fates in the bargain.

On Saturdays, all that chaos and misery stays out on the sidewalk because the office door is locked, limiting the measure of turmoil and anguish in the office to only that which we permit, or that which we bring with us.

The office seems empty at first but the lights are on, then I run across a couple of volunteers in the back office. One flashes this funny look to the other, and then they get real quiet. Before I can ask what's up, one of them says to me in that bearer-of-bad-news tone "Sit down, bro. There's something I gotta tell ya."

After he successfully insists that I actually sit down I'm racing ahead to the presumption that A) the bad news is he fucked up my workstation and now he's afraid I'm going to go off on him, and B) an entirely inappropriate level of drama is accompanying our little moment together.

"Trent died last night."

I discard premise A, but premise B isn't disproved. I automatically chant the standard response I learned along the years: "OK, Trent's dead. Everybody dies, man. That's just part of life. How did it happen?"

The volunteer reels off a sketchy account gleaned from earlier conversations with la Tiny. Died homeless last night at Larkin and McAllister. Other people who knew him were present. Suspected overdose. When Tiny had arrived at the scene via some freakishly macabre category of coincidence, he was already in the body bag. One of Trent's companions at the scene reportedly charged that the SFPD officers present "let my friend die." Or hasten the process perhaps?

Later, after the volunteer had finished relating events long on reactions and short on details, I realized that the circumstances surrounding Trent's death would come to light soon enough. He had joined the ranks of San Francisco's homeless dead, and we would be studying his premature demise along with the many scores of others. We will then distill all the year's homeless mortality data into a report to be released (perversely enough) between Thanksgiving and Xmas. That, and Trent's name will go on a list which will be read, and later burned, at an evening memorial ceremony in Civic Center on the next Winter Solstice. The list grows longer each year.

Every year my "private list" - the names which conjure memories of familiar faces - grows longer, too. Call it an occupational hazard.

But this wasn't the case for the bearer of the sad tidings. He'd camped out by the beach with Trent and another homeless COH volunteer for a while about a year ago, and it was clear that he hadn't yet grown accustomed to witnessing the savage mechanisms which render loved ones and friends into statistics. I told him it would be harder when he hears Trent's name read in December.

Trent was homeless, and volunteered in our Civil Rights project. He was bright and talented and sarcastic. He was well-schooled in that anarcho-punk DIY attitude of cooperative collaboration. When he was fully engaged in an issue he could compose some of the most original copy we've ever published. Trent didn't need any of my guidance or encouragement to be one of our best writers, he only needed to find refuge from the dehumanizing and alienating milieu of grinding poverty and homelessness on these quality-of-life streets of San Francisco. He just needed to be part of something bigger than himself that accepted him as he was.

His best work was usually captured in one-shot marathon sessions at one of the civil rights project's workstations - transfixed in the separate reality of focused creation. And that's the only place where Trent Hayward (aka Harpo Corleone) ever found respite from a life of shit. The only reward Trent had found on the bottom of society was a passion for justice, and Harpo was justice's champion. And like many other creative, passionate people - homeless or not - his sensitivity would nourish the roots of his demise.

In an impartial analysis, Trent's death isn't very surprising. His appetite for alcohol and drugs was formidable, and he often carried a clear plastic sport bottle brimming with Royal Gate vodka as an accessory to his urban camping kit. Trent's face frequently bore cuts and bruises - souvenirs of the previous evening's impromptu endover to the pavement or tumble down a hillside at the beach. His smartass wit would eventually devolve into loud confused drunken hostility. Bitterness always lay just below the surface, awaiting chemical release.

Darkness courted Trent. He had a "past." Everyone who's ever been homeless has such a story. The dynamic is best expressed as an amalgam of bad luck compounded by bad choices, or vice-versa. A busted relationship, family violence, drugs, disability, prison, death of a loved one: loss and grief and despair. After someone then internalizes the stigma of their state of homelessness - when they come to believe their lives aren't worth much more than the all the "urination and defecation" that flavors so much of what issues from their persecutors' mouths - getting loaded enough to find fleeting unconscious oblivion in whatever park or doorway you find yourself in is about as good as it's ever going to get.

We had occasionally shared a few beers after 5 pm, trying to relieve the sometimes unbelievable frustration that come from trying to educate a public constantly propagandized by television and all those "horse traders" at the Chron. One such night last December, as y2k drew near and the end of the world was in the back of everyone's mind, we were half-drunkenly speculating that if the Christian Messiah were homeless in SF, what would he be doing right now? I told Trent the old joke that Jesus must be in jail, because that's where everyone finds him.

This led us to the not-so-terribly-clever speculation that he would be in a mental ward, but not in SF because mental health care has been the red-haired stepchild of our Dept. of Public Health for decades. Then Trent got real serious and told me that Jesus would be an addict - that's how we crucify people in our capitalist society.

Trent was trying to become his own savior. He was finding a way out through his writing. When he landed the gig at the GUARDIAN I was excited for him. I told him that no matter if it was shitwork, or if his co-workers ever turned their noses up at him, it still represented a quantum leap up from the STREET SHEET - sex ads and all.

He also wrote an article recently that chronicled the downward spiral of a once-promising comic named Doug Ferrari. More recently, an EXAMINER human interest story told us how the (uncredited) article led to a chain of events where one of Ferrari's successful friends found him living in the Tenderloin and was helping him to regain a career in entertainment. I hope Trent's life had more purpose than to only serve as the agent of another's fortune. If Trent had friends with the means that Ferrari's friends had, he might be with us today.

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POST-SCRIPT

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

Like many writers, some of Trent's best stuff wound up being edited. This was edited out of an article the STREET SHEET ran last summer titled "Hate McMuffin," describing an incident where a McDonald's security guard beat up a homeless customer for demanding the same coffee refill that other, non-homeless customers were enjoying without problems. It describes the widening gulf between the haves and have-nots in SF, and anyone who's ever been shit on 'cause they're homeless knows exactly where Trent was coming from. c.m.

If the cause and circumstances leading up to this violent incident are not readily available to the reader at this point, I would like to offer my humble take on all of this. Brother Nicky is homeless. He is treated as a public menace and a general scourge in this fucked up society, but obviously not menacing enough not to take his money from him. He is however, enough of an "eyesore" that his right to a "free" refill of coffee is denied, so he doesn't "hang around" and offend the high standards of your average fast-food glommer.

I also find it infuriating that the "public" these self -appointed guardians are trying to protect from the sad realities of San Francisco 1999 can occasionally step up and prove themselves human beings capable of being sickened and hurt by the way we treat each other sometimes. But who of them speaks for me? Who speaks for Nicky, and who speaks for that man in the suit you think you are trying not to inconvenience? Fuck you and your flimsy, ragged sense of duty. Fuck you and your twisted self- important idiocy.

And how dare you assume you can speak for me, or anyone else. Better yet; just fuck you.

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To Trent, From Connie Lynch

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

June 2000

We had a routine. I'd be five minutes late. A black coffee with two heaping teaspoons of brown sugar and one orange juice would be the order.

Sometimes Jack and Tommy would be with us; sometimes it would just be me and Trent. We'd be at what he once described in an article as "an oasis," the Wild Awakenings coffee shop. We had a lot to cover-- the diatribes of P.J. O'Rourke, old movies (of which he knew so much more about), the latest SF politics, stories about Boston, stories about our families. Inevitably, I'd admit that our talks made me wish I could be more adventurous. He would laugh in a way that I knew he agreed. After one of his comforting hugs, weíd be off to start our days. These mornings filled with the stories that he so easily penned are what I came to cherish. The loving friendship that sprung from them will forever be with me. Thank you, Trent, for sharing yourself and your oasis.
 

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Tambien la luvia (Even the rain) a PNN ReViewsForTHe RevOlution movie review

09/24/2021 - 09:12 by Anonymous (not verified)
Original Author
Tiny
Original Body

 

"Siempre es dinero (its always about money)...." We open with Spanish filmmakers Gael Garcia Bernal and Luis Tosar driving their late model SUV’s through a lush green backdrop of our sacred Pachamama, chuckling, bickering, thinking of the ways they will produce a movie about Christopher Columbus with a small budget by exploiting the indigenous peoples of Bolivia and their lands

 

After that first scene, we learn that the filmmakers are launching a media project dripping with 1st world arrogance and modern day 21st century colonizer hypocrisies. Arty director Costa (Gael Garcia) has a "vision" to depict a "good" colonizer, Antonio de Montesinos, one of the Columbus-era priests who had spoken out against the slavery of indigenous peoples. make a movie about colonization which is real and different and therefore any thing he does to this end is, "ok" .

 

"Cara Blanca," In the next scene we meet Hatuey aka Daniel (juan carlos aduviri), the indigenous leader from Bolivia, who begins a resistance in the miles long line of people who are waiting patiently to audition as extras in the film. The brilliance of the movie begins here. Gael Garcia's character is wracked with guilt and bickers with the Cara Blanca (white face) character of Costa (Luis Tosar) who is all about the bottom line and seems to have no concsiousness about the modern day colonization they are perpetuating in the production of the film itself

 

A third layer of colonization unfolds in the background of the movie, with the brutal IMF inspired attempt to privatize Bolivian water rights and the revolutionary resistance Hatuey, his family and his comrades launch in resistance.

 

As an indigenous Taino person whose peoples were slaughtered and enslaved by Columbus, the mock "scenes" with Cristobal Columbus were almost impossible to watch, causing the opening of a deep and painful ancestral memory. These scenes provided no epiphany for me, i have had personal experience, as most indigenous peoples have had, with user-friendly colonizers who claim rights to all of our art and dreams and words in the production of their well-intentioned media production, be they produce films, video documentaries, radio projects, research studies, journalistic stories, or social work. It is a special kind of carte blanch arrogance to land, story, image and resources that seems to inform all first world folks involved in art and/or service.

 

That said, this is a very powerful movie that depicts the subtle and not so subtle ways 21st century default colonization happens and i i would recommend it highly as a primer for anyone involved in art, film, missionary, academia or service provision locally or globally, to begin a conversation about how and who art and story and land and dreams should be shared, produced, and depicted.

 

For indigenous peoples living art, and survival in resistance we neednt see the movie, but rather deepen the discussion about the ways we own, lead, and share our stories, art and resources.

 

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