Story Archives 2010

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• Escuela De La Gente  En Racismo. Pobreza, Instituto de Justicia en los Medios

   

  2011  Invierno Horario De Clases**

  Orientacion/Registracion Martes, Jenero 25th @ 5pm

  Todas las clases se inician  Martes, Febero 1

  Rejistracion Tarde: 1^er dia de clase

• Matrícula en una escala móvil –Becas disponibles en Skolaz el Pobre 'Fondo.

   

  ***El Horario y dia de clases pueden cambiar

• Martes

• 1pm Medios Revolusionarios para Eskolares #103 (Transmitir Medios: Radio y production de Video Noticias) Seccion #1: Reditacion de Radio – blogg de radio , radio produccion y pod–cast – Seccion #2: Editacion de Video , grabar y anuncio de noticias–**1:00- Medios Revolusionarios es mas temprano el ultimo Martes de cada mes para para el Grupo de sanacion ( HEAL – Sanando Adicciones por medio de la arte y Liberacion)

   

• 3pm Hip Hop Teatro de el Pobre: Reinas de el welfare/Poetas Pobres: trabajo en grupo, acciones, lecturas- par ajovenes , adultos, y ancianos en pobreza

• 5pm Periodismo de Pobreza Revolusionario-- Seccion #2: Investigacion de periodismo Periodismo/Photographico Periodismo/Desarroyo de columnas – Incluye proyectos de historias y eventos.

  ***6pm – Primer martes de el Mes Prensa Communitaria: Circulo de Noticias Indigena (Mandatorio para todos los Estudiantes y Alumnos – Todas las noticias y organisacion de Prensa POBRE sale de esta reunion)

• 7pm Ismos De Adentro – Racismo, clasismo, capetalismo, facismo fronteral, abilidadismo, maderismo(oppression de la madre), Indigenismo,NPIC-ismo y otros ismosque tienen un impacto directo hacia jovenes, adultos, y ancianos en pobrezaglobal y local! Esta clase es ofrecida por La Raza, Pobreza, Instituto de Justicia en los Medios(RPMJ) La Raza, Pobreza, Instituto de Justicia en los Medios tiene una manera revolusionaria de hablar sobre el impacto de pobreza que conviene a los modelos tradicionales de servicio y provision, tratamiento medico mental, media produccion, educacion, creacion de politicas y philantrophia. Cada entrenamiento o seminario esta dirigido por alumnus de Pobreza que an sobrevivido pobreza, desalojo, violencia, profiling, immigracion, desabilidad, encarcelacion, abuso polisiaca, violencia domestica, etc.

JUEVES

Possibilidad de clases en Jueves (Para ser anunciado)

Prensa POBRE es una orgnizacion dirigido por los pueblos indigenas, organizacion de base sin fines de lucro, organizacion de artes que se dedica a proporcionar acceso a los medios extremos, la educacion y el arte a las comunidades de color que luchan con la pobreza, el racismo, la discapacidad, la inmigracion, la criminilizacion en el area de la bahia y mas alla…

EsKuela de la G-ente, la Raza, Pobreza y Medios de Comunicion del Instituto de Justicia se centra en la ensenanza NO colonizadora, los medios de comunicacion basados en la comunidad y dirigidas por la comunidad, el arte y la organizacion con los objetivos de crear vias de acceso para las voces silenciadas, conservando sus raices y las comunidades aburguesidas de color y replentar el debate sobre la pobreza, la falta de vivienda, la discapacidad, la migracion, el encarcelamiento y la raza a nivel local y mundial.

FOR IMMEDIATE RELEASE
August 11, 2010
Media Alert and invitation to cover:
SINS INVALID: An Unshamed Claim to Beauty in the Face of Invisibility
Disability, art, sex and politics
share the spotlight at Theater Artaud
October 8, 9, & 10, 2010
SINS INVALID: An Unshamed Claim to Beauty in the Face of Invisibility,

San Francisco’s unique performance art and disability justice project returns for its fifth annual show, this year at Theatre Artaud. One reviewer has described the acclaimed and highly anticipated event as simultaneously “heart-stopping, jaw-dropping, funny, loud, beautiful, sad and smoking-hot...”.

SINS INVALID director and co-founder Patricia Berne describes the project’s goal as seeking to re-identify what is seen as the problem of disability. “It’s not the disability that’s the problem,” Berne states,” but the social resistance to accepting it.” SINS INVALID’s performances redefine the “problem” by exploring disability and chronic illness in the context of race, sexual orientation and gender identity. It’s a powerful mix, and SINS INVALID goes even further by offering a radical solution: celebrate all bodies as beautiful and valuable. This results in an edgy, honest, intimate, deeply felt and unabashedly sexy program. Audience members routinely say the performances completely changed their view of sex and disability.

Patty Berne, co-founder Leroy F. Moore, Jr., a group of local artists and two guest artists from outside the Bay Area will mount this year’s show, Knotting Stories over Time and Geography using theatre, dance, music, spoken word, film, video and poetry. “It’s not a cabaret, but an arc that connects the stories into a whole narrative of who we are,” says Berne.

Solidifying its national reputation as artists for social justice, SINS INVALID has been invited to perform at Britain’s DaDa Fest this fall, and performed this past July in Raleigh, North Carolina at the National Youth Leadership Network. Year-round in San Francisco SINS INVALID offers performance and educational workshops, community dialogues, and an Artists in Residence program for artists with disabilities who are also from Lesbian Gay Bisexual Transgender and Indeterminate gender communities and/or communities of color.

2010 artists include: Aurora Levins Morales, Nomy Lamm, Antoine-DeVinci Hunter, Maria R. Palacios, seeley quest, Leroy F. Moore Jr., Leah Lakshmi, Piepzna-Samarasinha, Alex Cafarelli, Amal Kouttab, Adrienne Krug, Tina D’Elia, Ellery Russian, Juba Kalamka, Pamela Greenberg, Todd Herman and Patty Berne.
For more information and to set up interviews, please contact Belinda Taylor at (510) 845-4177.

Sins promo 2010

WHO: SINS INVALID: An Unshamed Claim to Beauty in the Face of Invisibility

WHAT: Knotting Stories over Time and Geography, an exploration of sex, sexual

orientation and disability using theatre, dance, music, spoken word, film, video

and poetry*

WHEN: October 8,9,10 2010

TIME: Friday and Saturday @ 8:00PM, Sunday @ 7:00pm

WHERE: Theater Artaud (499 Alabama St., SF)

Wheelchair accessible, Oct. 9th show is Audio Described and ASL interpreted

TICKETS: $15-$25 sliding scale (no one turned away for lack of funds)

BOX OFFICE: brownpapertickets.com or at the door

PUBLIC INFORMATION: (510) 689-7198 or sinsinvalid.org

*PLEASE NOTE: This show contains explicit content.

Krip-Hop Nation (K.H.N.)  So you were born in Cape-Town in South African.  Please give our readers a picture of your youth.

 Deejay Kabila:

I was born in the Eastern Cape, a small town called Umthatha.  Growing up there was quiet an amazing experience as I grew up under a very strict family with christian values, my grand ma really taught us how to pray and respect.

 Krip-Hop Nation (K.H.N.)  So you were in a car accident and became a wheelchair user.  Tells us were there any difference in being a dj before and after your accident?  Also what is a DJ Box?

Deejay Kabila:

My accident happened in 1999 at the age of 21,it didn’t really change a lot in my lifestyle, the only thing is just I could not walk but luckily I could roll on my chair.  Djing came the same year I had an accident, that was a dream I had before the accident happened and I never looked back.  A dj box is where the dj operates his music and where the music equipment is placed at the club.

Deejay Kabila:

In everything I do I don’t really put my disability first as you know that art comes from a different source the passion and vision of the creative voice which knows no boundaries of race, gender, class or physical ability.  For anyone who will book me can rate me with the work I do best which is to make people dance and give them good time.

Krip-Hop Nation (K.H.N.) I read you got a slot Ukhozi FM.  Tells us more about that.

Deejay Kabila:  I had a chance to play on the prime slot on linda Sibiya’s midday show in 2007 for two months.  It was really an amazing experience as that really gave me a big platform in exposing me as a brand with a lot of following.

Krip-Hop Nation (K.H.N.)  I read that you talked about if the music industry is ready for a DJ who is a wheelchair user.  Tell us what you think now.

Deejay Kabila: Oh yes I had a chance to talk at the 2^nd annual South African music conference in 2007.  Our topic was Unlimited Talent.   As I said before music doesn’t have any barrie if you can deliver and work hard in positioning yourself into the market everyone will buy into your talent and support the product you have inside to deliver.

 Krip-Hop Nation (K.H.N.)  So how many CDS you have out and what are you working on now?

Deejay Kabila:  I have one cd with soulistic music called, believe, in 2007.  At the moment I just opened my company called, feel good music, where we scout new talent and expose them into the market and manage them.  I work with a non profit organization called, Beyond Disability, which is aimed at improving the lives of people with disabilities through edutainment.

Krip-Hop Nation (K.H.N.) Tell us about Black Coffee, Soulistic Records and the Foundation

Deejay Kabila:black Coffee is a good friend of mine we have been djeing together for a long time and when he blew up into the market he took me under his wing to realize my first debut album called, believe,  He has also formed his own foundation called Black Coffee foundation to uplift and expose people with disabilities talent into the music industry and just help the whole disabled community.

Krip-Hop Nation (K.H.N.)  You have a group, Beyond Disability that will start a  campaign.  Tell us about this campaign.

Deejay Kabila: Beyond Disability as I said is a non profit organization aimed at improving the lives of people living with disabilities through edutainment, this organization has designed different campaigns in making awareness in the society at large and also raise funds for different projects that are adopted under the Beyond Disability’s ambrella.  I just had a campaign called “A PARTY WITH A PURPOSE” which was a club tour around the country to raise awareness on Beyond Disability and raise funds for different projects we involved in.

Krip-Hop Nation (K.H.N.)  So you want to come to America.  If you have a chance to come what do you what to do in US.  How can people help you get here?

Deejay Kabila: We would like to take these campaigns globaly and also learn much more in what other organizations like us are doing, networking and empowering the disability circle even bigger.  People can help by hosting campaigns like “party with a purpose” in their clubs, adopt Beyond Disability and even become volunteers in other projects.

Krip-Hop Nation (K.H.N.) How can people get intouch with you?

Krip-Hop Nation (K.H.N.)  Do you have any last words?

Deejay Kabila:  We must never give up and pushing forward will definitely unlock all the potential we are capable of and to the disabled community in the world I say the impossible is the untried go on and explore you talent and never be scared to try.